This evening I was at the 12 Star Gallery in Europe House (the offices of the Representation of the European Commission in Westminster, London, rather deliciously, as Europe House located in the building in Smith Square that used to be the Tory Party HQ — remember that picture of a triumphant Maggie Thatcher, waving from an upstairs window in 1979?). Anyway, tonight’s exhibition on the ground floor was of work by the Finnish artist, Pirjo Vaisanen: Straw Dimensions, building on the Finnish tradition of Christmas decorations (often in the form of mobiles) made of straw. Straw is an interesting medium for artists to work in; seemingly fragile, it is actually very strong, yet when wet can be shaped into interesting forms. I particularly loved one of her 3D compositions, which to me represented a Japanese Kabuki actor, seen from behind.
This year is doubly significant, as it is the 100th anniversary of Finland’s declaration of independence (from Russia) in December 1917, as well as the tenth anniversary of the 12 Star Gallery, which, under the expert and imaginative guidance of the Commission’s Cultural Attaché in London, Jeremy O’Sullivan, has put on an extraordinary range of exhibitions and other events over the past decade — initially at the Representation’s old offices, opposite the Queen Elizabeth Conference Centre, also in Westminster, and latterly at Europe House. Culture is an extremely important part of European cooperation; people who believe that the EU is all about economics and regulations are, frankly, missing the point. Over the years, I have been happy to write for the London representation, originally on Jeremy’s culture website and more recently contributing to two books marking the decade of EC involvement in cultural activities throughout the UK, often in collaboration with the Cultural Institutes or Embassies of the EU member states concerned. I was pleased to be able to “top and tail” the latest book, 10 Years of 12 Star Culture, in the sense that I wrote both the Introduction and the final chapter (on Festivals). It is a handsome volume, in a royal blue cover, beautifully illustrated; a tribute to what has been, and what could still be, if Brits came to their senses and rejected Brexit.