Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Parasite *****

Posted by jonathanfryer on Monday, 23rd December, 2019

889B2E3E-B203-408B-9B8A-543D86629447The Kims, a poor South Korean family living in a dank and smelly basement, dream of extracting themselves from their misery. Clearly, folding cardboard pizza boxes isn’t going to make them rich. Then, through a friend, the son — who learnt English during his military service — is offered the chance to be English-language tutor to the daughter of a rich industrialist, Mr Park. When he turns up at their extensive, ultra-modern home he soon captures their affection and trust with his cute looks and gracious manner. But he quickly realises the golden opportunity to get his father, mother and sister (supposedly strangers) employed in the household, even it means using increasingly extreme measures to displace those who currently have those jobs. With each deception and strategy the lies get more difficult to sustain and the Parks’ house begins to reveal its own unexpected secrets. As things escalate in a mixture of tragedy and farce, young Mr Kim realises that the only way to avoid things going wrong is not to have any plan at all. But events have taken on a terrifying momentum of their own, meaning no-one knows how things will end.

Full of surprises, Bong Joon-ho’s increasingly black comedy is also a striking social commentary on the gap between the rich and poor, with neither knowing or understanding how the other half lives. The spoilt children of the Parks are nonetheless deprived of the love and everyday support that binds the Kims together, but the young boy’s psychological problems prove not to be as inexplicable as the mother believes. There are some exquisite sub-plots and diversions — including a beautiful parody of a North Korean TV announcer — but Bong keeps his hand firmly on the tiller as mayhem ensues. Visually, the film is unforgettable, not least in the stark contrast of the two families’ homes, but it is the acting that seals the movie’s place as one of this year’s most unforgettable cinema experiences. No matter how surreal the action becomes one believes utterly in their characterisation.

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