Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Posts Tagged ‘Meryl Streep’

The Post *****

Posted by jonathanfryer on Sunday, 21st January, 2018

The PostThe Pentagon Papers (at least some of them) were published by the New York Times and Washington Post in the summer of 1971, just before I set off — for the second time — for Vietnam, to cover President Nguyen Van Thieu’s re-election (he was the only candidate; he won). Though the explosion caused by the publication of details of how successive US Presidents had lied to the American people about the “success” of the War was not quite as huge in Britain as it was over the other side of the Atlantic, it meant that Saigon was a pretty febrile place by the time I got there. Steven Spielberg’s new film, The Post, opens with scenes of US soldiers in Vietnam — very much as I remembered them — but most of the movie’s action takes place in Washington, in the Washington Post’s editorial office and at the printing presses, as well as the mansion of proprietor Katherine Graham and grand residences of her friends, including the former Secretary of Defense, Robert McNamara (for whom actor Bruce Greenwood is made up to be a disconcertingly spitting image). As the title of the film suggests, it is essentially about the newspaper and the way that Kay Graham learned fast how to behave as its owner and to guarantee its bright future in the face of legal challenges launched by the Nixon administration. Authenticity is added by the detailed recreation of the atmosphere of early 1970s newsrooms and the workings of linotype printing, as well as some key realtime tape recordings of Richard Nixon talking to Henry Kissinger and others over the phone from the Oval Office. Meryl Streep is such a consummate actor that one expects her to be brilliant, and she does not disappoint. But the real star, without a doubt, is Tom Hanks, who just is the Post’s editor Ben Bradlee — utterly convincing both in his professional and domestic personae. Not all Spielberg’s films are unalloyed triumphs, but this one undoubtedly is. I can almost hear it hooverng up the Oscars already…


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Posted by jonathanfryer on Sunday, 18th October, 2015

imageThe dramatic struggle for female enfranchisement in Britain is so much part of the country’s political history that it is amazing it has not been the subject of a major feature film until now. But Sarah Gavron’s “Suffragette”, which is now out on general release, has been well worth waiting for. Wisely the storyline focuses not so much on the Pankhursts (though Maryl Streep puts in a memorable cameo performance as the indomitable Emmeline; instead, it follows the politicisation and then radicalistion of an ordinary East End laundrywoman (beautifully played by Carey Mulligan) who is inspired to join the fight by a mixture of painful circumstances and the example of others. The scenes in the Bethnal Green laundry are particularly strong and evocative and the film’s whole atmosphere is skilfully created and maintained. It is a sobering thought, not least for modern Liberals, that even Lloyd George and his Ministers were not at first prepared to give way on female suffrage, preferring to believe the poppycock about women being too emotional and irrational to be trusted with the vote. Sobering, too, to think that just a century ago women were indeed second class citizens, with few rights of their own, including over their children.

imageGreat strides have been made since then, but the film is right in its implied suggestion that had Emily Davison not thrown herself in front of the King’s horse on Derby Day 1913 progress would have been a lot longer in coming. That extraordinary self-sacrifice was a shocking crime in some people’s eyes, but it galvanised much of the nation and I am glad that Sarah Gavron ends her film with real-time footage of Emily Davison’s funeral, for which Londoners lined the streets as hundreds of women in white, wearing black sashes, marched slowly behind her flower-bedecked funeral carriage.

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The Iron Lady

Posted by jonathanfryer on Monday, 9th January, 2012

I have never met Margaret Thatcher one-to-one, but I did get a close look at her a few years ago at Roy Jenkins’s Memorial Service, when she arrvied late and swept down the aisle of St Margaret’s Westminster swathed in black and looking as if she was auditioning for a part in the next Harry Potter film. So I got quite a jolt in the opening scene of Phyllida Lloyd’s film ‘The Iron Lady’ this afternoon, when a large but frail old woman goes into a corner shop to buy a pint of milk, because, yes it was her (unrecognised by the man behind the counter or other customers, however) — except that is wasn’t because it was Meryl Streep. The impersonation is uncanny and during the course of the film, as Lady Thatcher, trying to fight off dementia while hallucinating that her dead husband Denis is still around, recalls her political life through the warped prism of her sometimes faulty memory. This is a stunning device, brilliantly executed; in fact the whole film is quite extraordinary and left me emotionally drained. Anyone who has had to deal with someone at close hand slipping into dementia, as I have, will understand the somewhat clueless and panic-stricken looks that cross the face of Carol Thatcher, the daughter (splendidly portrayed by Olivia Colman) and the surreal atmosphere inside the house in Belgravia to which the Thatchers moved after abandoning their suburban experiment in Dulwich. I can understand why some people feel that the film is premature (the lady is still alive, after all)  and some will quibble about the histroical inaccuracies and whether it portrays Thatcher in too favourable/too unfavourable (delete as appropriate) a light. But that misses the point. This is an amazing piece of cinema that cries out to be seen. Doubtless Meryl Streep will get a Best Actress Oscar for her performance, and Phyllida Lloyd deserves an Oscar too. But that is also not the point. This is one of those films that moves one profoundly, and however distant one may have felt from Mrs Thatcher the politician, one cannot help but empathise with the eponymous central character in The Iron Lady.


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