Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Posts Tagged ‘Christopher Nolan’

Dunkirk

Posted by jonathanfryer on Friday, 4th August, 2017

DunkirkFor once, I agree with Nigel Farage. He said that all young people should go to see the film Dunkirk; I would only a that all older people would benefit from seeing it too. But perhaps our reasons for recommending the film are different. Farage doubtless feels it fits into his Brexit narrative of Britain can stand alone and proud, whereas I consider it powerful evidence of why there must never be war in Europe again. Dunkirk was almost a disaster of gigantic proportions, with well over 300,000 troops trapped like sitting ducks on the beach, prey to German aircraft and later potentially ground forces. Winston Churchill feared that maybe only 10-15% would be rescued by ships from England, whereas the extraordinary flotilla of small civilian craft of all kinds that set sail across the Channel brought back many times that number. Indeed, a victory of sorts, snatched from the jaws of defeat. It was nonetheless a traumatic experience for most of the men involved, not just those who were killed or badly wounded.

Dunkirk Rylance War is a terrible thing, and the founding fathers of what has evolved into the European Union understood that it was necessary to change the way we do things, to prevent any such conflict happening again. France and Germany, who had clashed three times in less than a century, are now the closest of allies within the EU. Britain should be proudly in there too, whereas thanks to the outcome of last year’s EU Referendum, the propaganda of Mr Farage and his ilk, as well as the stubbornness of Theresa May, Britain is now apparently heading for a Hard Brexit, turning its back on our EU partners and allowing the rhetoric of British exceptionalism to flourish. A dangerous path to follow, indeed. But to return to Christopher Nolan’s film Dunkirk, it is also worth seeing on its own merits, brilliantly capturing the atmosphere of the operation, especially in the scenes of Spitfire dog-fights and the desperation of men trying to escape from a sinking ship. One could quibble with some small historical inaccuracies, but that would be petty. The overall effect is powerful and lasting. Mark Rylance consolidates his reputation as perhaps Britain’s greatest living actor with a totally credible performance as a humble skipper, determined to do the right thing, and the singer Harry Styles intriguingly shows he is a born actor. All in all, not a film to miss and best seen in a cinema that has the sort of acoustics that let the soundtrack literally make the place shake.

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