Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Archive for February 15th, 2018

Palestine in Black and White

Posted by jonathanfryer on Thursday, 15th February, 2018

5B3889E2-D8DB-4D45-B59D-55D7F70692F4Art can be a form of resistance, especially for an occupied people, whether it is in the form of graffiti on walls, paintings or cartoons. So there is little wonder that the 50 years of illegal Israeli occupation of the West Bank and the ongoing blockade of Gaza have been the subject of many works of art as well as biting political cartoons, both inside Palestine as well as in the wider Arab world and beyond. Most Arab newspapers feature black-and-white cartoons attacking dictatorships, corruption, the perceived evils of the United States and the “West”, not least in relation to Israel and Palestine. Many of those cartoons are deliberately simple, to put across a clear message not just to the literate elite but also to the less educated poor and marginalised. But some Arab cartoonists opt for more complex styles and messages. That is the case of Mohammad Sabaaneh, whose work is featured in the book Palestine in Black and White (Saqi, £10.99).

0979AF0C-DD4E-4848-9C7A-7167E1060C21Sabaaneh has achieved widespread recognition, including in Europe and North America, for both the artistic quality and the political poignancy of his drawings. Like many young Palestinian activists, he has spent time in Israeli jails — five months in solitary confinement. Prison is a central theme of the 100 cartoons in the book, both literally and figuratively, the latter reflecting the reality of life for many Palestinians, their movement curtailed by the Wall, security checks and curfews. It is not just the benighted inhabitants of Gaza who feel trapped.  Children grow up in this unnatural and at times frightening environment, and they occur frequently in Sabaaneh’s drawings, sometimes innocently playing, at others menaced by bombs and guns. Sabaaneh uses a variety of styles in his work as a cartoonist. Some are reminiscent of lino-cuts and wood-cuts of the kind favoured by the xilogravura popular artists of north-East Brazil — perfect for featuring stylised images of despair. But other drawings are more reminiscent of very detailed comic strips, with a multitude of characters and the military paraphernalia of occupation. So much is going on in this category of images that one needs to study them carefully for minutes on end. Yet another type is influenced by Modernist artists, not least Picasso; one cartoon, “The First Intifada”, even references Guernica. Some of the cartoons in this collection do have explanatory titles and all are arranged in thematic chapters. But many just speak for themselves, with a powerful voice that deserves to be widely heard.

http://www.saqibooks.com/book/palestine-black-white/

 

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