Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Archive for September 8th, 2017

God’s Own Country

Posted by jonathanfryer on Friday, 8th September, 2017

God's Own CountryWhen a young, inarticulate Yorkshire hill-farmer’s son, Johnny, gets particularly stressed out, as more responsibility falls on his shoulders after his father’s debilitating stroke, he drowns his sorrow in drink and quick, emotionless sexual release with blond youths. But then along comes a handsome, dark-haired Romanian temporary farmhand — initially humiliated and insulted as a gypsy — and Johnny’s whole world is turned upside down. Shot against the panoramic background of the Yorkshire Moors, much of it by hand-held camera, Francis Lee’s first full-length feature film (which he wrote as well as directed) draws on his own background growing up on a farm in the area, lingers lovingly over mucking out cowsheds and birthing lambs, and spares no blushes in the escalation of the two young protagonists’ growing physical intimacy. But this is a film in which some of the most eloquent moments are when nothing is said — just a look, or a gesture. And gradually the blinkers are removed from Johnny’s eyes, as well as the chip from his shoulder, and he even begins to realise that his father and gran are not quite as demanding and insensitive as he thought. There are stellar performances by both Josh O’Connor as Johnny and Alec Secareanu, as his liberating angel, and the final scene brings the whole movie to a triumphant resolution. A truly beautiful film.

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