Why I’m Re-standing for the ALCS Board
Posted by jonathanfryer on Sunday, 11th December, 2016
To the general public, ALCS is a meaningless set of initials, but for tens of thousands of writers in Britain (and beyond) who have signed up as members of ALCS the Authors Licensing and Collecting Society is like a fairy godmother who, year in year out, sends one a cheque (or these days usually a bank transfer), derived from secondary royalties from photocopying, retransmission of audio-visual material and other such sources, the bulk of it channeled to ALCS from the Copyright Licensing Agency (CLA). Anyone who works in universities or the NHS will probably have spotted CLA notices next to their photocopiers. Rather like Public Lending Right (PLR), which pays authors modest sums for loans of their books from a representative sample of public libraries, ALCS works on the basic and important principle that writers should be paid for their work. But ALCS is not just another writers’ organisation; it is a highly professional organisation, which is what it should be, as it has a turnover of more than £30 million a year. Like any reputable company it therefore also has a Board, which in ALCS’s case has a number of Non-Executive Directors who are elected by ALCS members — over 90,000 at present, though only a small proportion of those usually take the trouble to vote in the annual election of Non-Execs. Having come to the end of my three-year term on the Board, I am standing for re-election this month (as one is allowed to do, just once).
ALCS, in common with the creative industries, is facing some critical challenges, no least from the uncertainties generated by Brexit and the digitalisation of so much content. In tandem with CLA, ALCS needs to investigate new revenue streams, but it also needs to keep abreast of legislative changes, at both the international and European level. One of the things I have found most satisfying about being a Board member, given my political experience, has been working with the Executive on some areas of what is effectively lobbying, to help protect writers’ rights. That has meant being one of the ALCS representatives on the steering group of UKWriters, a recently-formed umbrella group that tries to ensure that writers do not lose out in a changing world. As it is, the income of most writers has fallen sharply in recent years, as was demonstrated in a study commissioned by ALCS. I have found it fascinating sitting on the Board itself, learning the dynamics of the company and collaborating with its dedicated staff. So, I would be very grateful for a vote from anyone who is an ALCS member. If you are, you should have received an electronic communication about the election (unless you opted for postal communications only) and voting is open until 23 December.