The UK’s Creative Industries post-Brexit
Posted by jonathanfryer on Tuesday, 9th August, 2016
Last night the relatively new Liberal Democrat Creatives group heard Lord (Tim) Clement-Jones outline some of the challenges facing the UK’s creative industries as a result of June’s vote for Brexit. He is part of the LibDems’ parliamentary team covering the Department of Culture, Media and Sport brief. We know from opinion polling that the creative sector voted overwhelmingly for Remain, but Tim argued that we now have to assume that Britain will leave the EU and that therefore we must try to make the best of it. Britain’s creative sector has been a phenomenal success in recent years, growing two or even three times as fast as the rest of the economy and accounting for an annual turnover of more than £80 billion. It’s not just the quality of content and innovation that have made this possible but also the skills of British technicians and crews, especially in the AV sector. In principle, given the global nature of the English language Britain should continue to operate at an advantage when targeting the US and Commonwealth markets, but the future situation with regard to the UK’s relationship with the EU is far more problematic. Currently we have to conform with EU directives but we also have a strong voice in how EU regulations are formed, which will no longer be the case after Brexit. Even more worrying is the likely impact of an end to free movement of labour, goods and services. It will probably be more difficult for British film-makers, actors, technicians and others to work on the Continent and similarly there may be curbs on EU citizens coming to Britain, which would certainly impoverish cultural exchange. That may also effect the facility for and desire of European students coming to Britain to study such things as drama, film and television. But the central problem at the moment is that no-one knows exactly what Brexit means and what sort of deal Britain will manage to negotiate with the 27 remaining states. Some LibDem Creatives in the audience last night expressed fears that we could, for example, see a return to the need for carnets for technical crews travelling to the Continent, meticulously listing all their equipment, which could be horribly time-consuming as well as financially draining. Despite Tim Clement-Jones’s attempt to be at least a little upbeat the mood in the room — appropriately a performance space over a pub in Bermondsey — was predominantly gloomy, as most people thought Brexit would be negative for the sector. Indeed many of us continue to hope that Britain will pull back from the brink when it is clear that no Brexit deal can be anything like as good as what we enjoy at the moment as members of the EU.