Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Sebastiao Salgado’s Genesis

Posted by jonathanfryer on Friday, 29th May, 2015

imageimage I took a break from writing this morning to go to see the huge and imposing exhibition of back-and-white photographs by the Brazilian Sebastiao Salgado, which is running at the Galleria Municipal Torreao Nascente in Lisbon until 2 August. I had often seen Salgado’s work in the minimised format of magazine reproductions, but the sheer scale of some of the images full-size is arresting, whether it is a whale surfacing in the ocean to “blow” or a barren landscape populated with thousands of seabirds. The photographer obviously have a soft spot for penguins, but few of his shots could be called cute or even life-affirming. The overwhelming effect (not just because his photographic palate is limited to greys) is one of gloom, even doom. This is of course deliberate, as a major reason for this exhibition, which is touring the world, is to alert people to the dangers threatening the planet. Having earned quite a lot of money from his work, he has ploughed some of it back into reforestation in South America. But at times the exhibition does seem over-didactic. The photographs of people are particularly unsettling, not just because almost none of them smile but because the photographer seems distanced from them, a remote observer, which makes the viewer feel estranged too. There are some particularly fine portraits of tribesmen in Papua New Guinea, but others have treated such subjects with something that seems curiously lacking in Salgado’s technically brilliant work: human bonding, even love.

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