The Great European Disaster Movie
Posted by jonathanfryer on Monday, 13th April, 2015
Thanks to UKIP there has been a lot of discussion in Britain over the past year about a possible Brexit from the European Union. But there has been little realistic scenario-building about what would happen if the UK did leave (presumably after an IN/OUT referendum in which a majority vote OUT). However, the Italian film director Annalisa Piras has made a film imagining the fallout if a Brexit caused the EU to break up and be dissolved. The film was shown on BBC Four on 1 March (followed by a Newsnight discussion), but last night, at my lovely local Genesis Cinema in Stepney, and in conjunction with Cinema Italia UK and the NGO New Europeans, the full director’s cut was shown, followed by a debate including Ms Piras, the film’s executive producer, Bill Emmott (a former editor of the Economist) and others. The film itself mixes a fictional narrative centring on a British academic (played by Angus Deayton) explaining to a young girl sitting beside him on a plane going through a thunderstorm what the (now defunct) EU was all about. But most of the film is made up of news-reel material and interviews with politicians, journalists and others from a wide range of EU member states from France to Croatia. What happened in the Balkans in the 1990s reminds us that the possibility of War in Europe did not end completely in 1945, even if it is now unthinkable between EU member states. Indeed, footage from Kiev in Ukraine in the film underlined the point about the current dangers in the European neighbourhood; to confront them, Europe needs to be strong and united. Similarly, though the financial crisis nearly brought about the destruction of the euro and set back many member states’ economies only in solidarity can the 28 meet the challenges of global economic forces. Because there are so many interviews in the film the effect is kaleidoscopic, but my favourite without a doubt is one with a German lady of a certain age who proudly displays the iron crosses awarded to her ancestors over a century of conflicts, but who celebrates the fact that her children and grandchildren will never add to that collection by having to fight in a European war. The film’s ending is apocalyptic, as the plane is turned away from various airports and crashes (though the little girl parachutes out), which will doubtless reinforce criticism from Euro-sceptics that the movie is didactic and over the top. Despite that, it is in fact thought-provoking and deserves to be seen by a wider audience, not least students and other youth. They “get” the European project much more than their elders tend to do, and it is their future which is at stake.