Storytelling for Syria
Posted by jonathanfryer on Sunday, 2nd November, 2014
Through the eyes of the Western media what appears to be a black-and-white situation has developed in the Middle East: the wicked self-styled Islamic State (ISIS) versus the rest, including the international coalition of which Britain is part. But of course the reality is nowhere near as clear-cut as that, and some of ISIS’s enemies should not be our friends — Bashar al-Assad’s regime in Syria, for example. So it was helpful, as well as moving, to be at the BBC Radio Theatre in London yesterday afternoon for a screening of three documentaries from Syria, the first and longest of which was The Shebabs of Yarmouk, directed by Axel Salvatori-Sinz, focussing on a group of young creative artists/writers/directors living in the crowded Palestinian refugee camp in Damascus — their hopes and fears and their ambivalent attitude to the possibility of leaving Syria. The film ends just as the so-called Arab Spring hits Syria in early 2011. The handsome and talented central, figure, Hassan Hassan, has finally accepted to do his military service, but as we learn from a very short but poignant postscript filmed separately by Axel Salvatori-Sinz in Paris, Hassan was subsequently detained and died under torture in one of Assad’s hell-hole prisons. Dissent is simply not tolerated by the regime. And yet thousands of predominantly young Syrians, with no affiliation to ISIS or indeed any of the other radical groups to be found fighting the country, continue to make their dissenting voices heard, through clips uploaded onto YouTube, and through social media postings, as well as brave demonstrations, singly or in groups. Many others have perished or been forced into exile, or at best internally displaced. For those of outside who follow the Syrian story at a distance through the mainstream media, it is important to acknowledge those different voices and diverse points of view. This is not a black-and-white situation, and we demean the people of Syria by assuming it is.