Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

England My England, Bulgarian Style

Posted by jonathanfryer on Tuesday, 18th June, 2013

England My England 2Tony PalmerThe British author and film-maker Tony Palmer has had a lifelong passion for music, though unusually he straddles both pop and classical and has made a whole series of remarkable films covering both genres. Tonight, in the Bulgarian Cultural Institute in Kensington he attended a screening of his 1995 masterwork about Henry Purcell, England My England, which he says he made for a mere £90,000 — amazing when one considers the length of the movie and its brilliance. Several days shooting took place in Bulgaria — hence the link, as well as there having been a Bulgarian associate producer for the film — including shots of medieval streets meant to conjure up the packed dwellings of seventeenth century London during the plague, as well as a set of building facades on fire representing the Great Fire of London. The film has some first rate acting by Simon Callow as Charles II (and the actor-playwright in a parallel contemporary story line) and Michael Ball as Purcell. But the thing that really makes England My England truly unforgettable is the sublime level of the performances of Purcell’s works, which are seen in the context of his life and British history, including both rehearsals and performances as if in the period. The ending aptly incorporates a stunning Dido’s Lament. The script picks up on the poetry of Dryden and other librettists in a skilfully controlled screenplay by the late John Osborne. Osborne’s quirkiness comes through at times, not least in a sudden blast against the Common Market, forerunner of the European Union, which Tony Palmer warmly endorsed, but struck some audience members as misplaced. In the Q&A session after the screening he described the EU as a ‘con’. But his most vitriolic remarks — and he is, as one might say, a plain speaker — were reserved for some members of the audience who had talked inanely almost non-stop during the film, repeatedly glancing at their mobile phones to see the time, before noisily leaving two thirds of the way through, and even more so for what Palmer called the idiotic presenters, all female as it happens, who front Arts programmes on both the BBC and the independent channels these days. I had better not mention the young ladies’ names as they might justifiably consider the criticism libelous. But Tony Palmer is right, of course, about the way that television talks down to viewers as if they are thick and need to have everything explained or made ‘relevant’and he was delighted that he got a handwritten note of solidarity from the acerbic Arts critic Brian Sewell who read some of the director’s opinions in yesterday’s Times.

Links: http://www.bcilondon.co.uk and http://www.tonypalmerdvd.com

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