Jonathan Fryer

Writer, Lecturer, Broadcaster and Liberal Democrat Politician

Palamedes

Posted by jonathanfryer on Tuesday, 28th May, 2013

EuripidesaodThe ancient Greek tragedian Euripides (c484BC-c406BC) was a prolific writer with a distinctly political bent and he was composing his dramas during a period of outstanding achievements — but also risks — for his home-state, Athens. We know that one of his most forceful serial works was the Trojan Trilogy, though only the final part, The Trojan Women, survives. However, last year, the Brighton-based theatre company Actors of Dionysus (aod) performed an imaginatively reconstructed version of the first play of the trilogy, Alexandros, reworked and directed by David Stuttard, at Europe House, the headquarters of the European Commission and European Parliament’s representations in London. This evening, David and his colleagues from aod completed the resurrection with a menacingly staged reading (by torchlight) of a piece that took the few surviving fragments of the second play of the trilogy, Palamedes, and worked them into a coherent whole, again at Europe House. The scene of the action in Palamedes  is a Greek army camp, well into the long siege of Troy. The area is blanketed by fog (effectively reproduced in the performance space by having all the lights turned off); the general whose name is the title of the play is stitched up in a story employing many of the themes that would become classic in drama, through William Shakespeare and beyond: jealousy, vengeance and betrayal, foremost. The sense of foreboding was admirably intensified by a dissonant musical score by Hannah Quinn, played very softly, with the aid of a laptop computer. The company aod — currently celebrating its 20th anniversary — has ambitious plans for the future, including performances of MedeaHelen and Lysisrata next year and the complete Trojan trilogy in 2015.

Link: http://www.actorsofdionysus.com

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