Outlawed, Displaced and Reinstated
Posted by jonathanfryer on Tuesday, 19th March, 2013
Fritz Schaefler (1888-1954) was a German expressionist painter who was damned by the Nazis as degenerate and thus some of his best work was destroyed. But he was fortunate in finding a patron in his almost exact contemporary, the Jewish industrialist Joseph Heymann (1887-1954) who bought around 70 of his canvases. This was indeed a boon, as Schaefler was so poor at one time that he had to paint or draw on both sides of canvases or paper because he could not afford fresh materials. Anyway, the Heymanns escaped from Germany to England before the Holocaust and the Second World War and the collection was kept by the family, partly displayed on the walls of their London home, partly stored in files. Tonight, the Belgravia Residence of the German Ambassador to London, Georg Boomgaarden, gave over its ground floor to the opening of the first ever exhibition of Schaefler’s paintings in the UK; an earlier showing had taken place in Aachen. The three rooms at the Embassy Residence displayed works from three distinct periods. In the first I was particularly struck by the artist’s self-portrait, so redolent of Germany between the wars. The second room was rather more political (or in Nazi terminology, degenerate), including a circus scene from Cologne which reminded me of some of the work of Otto Dix. The final room was mainly of later landscapes and sill lives, some romantic and bright, with liberal use of egg tempera, but others more moody, dark, even threatening. It was wonderful to have descendants of both Schaefler and Heymann present at this evening’s reception and the whole event, much patronised by the capital’s art cognoscenti, was a tribute to Germany’s ability to come to terms with its past and to celebrate what had previously been derided or persecuted. The exhibition (viewed by arrangement with the German Embassy) is running until 17 April.