Jonathan Fryer

An Independent Kurdistan?

Posted by jonathanfryer on Tuesday, 12th August, 2014

Kurdish flagKRGThe tectonic plates of the Middle East are shifting. This is maybe not surprising, given the artificial boundaries imposed on the region by the British and French following the dismemberment of the Ottoman Empire at the end of the First World War. In fact, it’s quite surprising that carve-up envisaged by the Sykes-Picot Agreement has lasted as long as it has. The Islamic State, as ISIS has rebranded itself, sees its putative caliphate rubbing out borders like chalk lines on a blackboard. Iraq as a whole is falling apart, to an extent as a result of George W Bush and Tony Blair’s immoral war, but also because of the sectarianism and incompetence of the outgoing Iraqi Prime Minister, Nouri al-Maliki. The one bright spot on the horizon is the Kurdistan Regional Government, which has brought remarkable prosperity and stability to North-East Iraq, as well as providing a safe haven for refugees from other parts of the region. But in recent days, Kurdistan (KRG) has been under threat from ISIS and has called for weapons from the West, to help defend itself. Kurdistan deserves to be protected, and indeed to move swiftly to full independence, if that is what it wants. It had long been assumed that Turkey would oppose an independent Kurdistan, because of its own restless Kurdish minority, but that is no longer the case. So we may well see an independent Kurdistan take its seat at the United Nations in the not too distant future. And other changes to the map of the Middle East will surely follow.

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Time to Boycott Israel

Posted by jonathanfryer on Monday, 11th August, 2014

BDSFor years I have resisted calls to boycott Israel — not least in the field of academic exchanges — on the grounds that constructive engagement had a better chance of delivering an equitable solution to the Israel-Palestine conflict, as well as fitting in better with my Quaker beliefs against violence and confrontation. However, the time has come to  accept that engagement has not worked. The Israeli government has continued to allow the expansion of illegal settlements on land stolen from the Palestinians. Some Fascist Israeli occupies, who prefer to describe themselves by the euphemism “settlers”, continue to torment their Palestinian neighbours, uproot their olive trees and are complicit in the establishment of what can only be described as an apartheid state. And then there is the latest pitiless onslaught on Gaza, in which nearly 2000 Palestinians have been killed, including several hundred children. I deplore and condemn the rockets fired into Israel by Hamas and other militant groups. But what the IDF has been doing over the past month is not just disproportionate as a response, it is criminal. I look forward to the day when Bibi Netanyahu and his colleagues are arraigned before the International Criminal Court in The Hague. Israel has repeatedly violated both the Geneva and Hague Conventions in international law, but now it deserves to face charges of war crimes. Moreover, remember Israel is a democracy, not a dictatorship, which is why the Israeli public who voted for Netanyahu, Lieberman and worse need to face the music too. Boycott Israel now, on all fronts, as happened successfully with racist apartheid South Africa in the 1980s. Do not go on holiday to Israel, sunning on the beaches of Tel Aviv or Eilat, while ignoring the injustices being carried out against Palestinians out of your sight. Do not buy Israeli produce of any kind, not just from the illegal settlements. Make the message loud and clear: you can no longer act with impunity, Israel, and until you make a just settlement with the Palestinians, withdraw from the West Bank and lift the siege on Gaza, you shall be an international outcast, a pariah state, and deservedly so.

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Bonnie Greer’s Confessional

Posted by jonathanfryer on Friday, 8th August, 2014

Bonnie Greer picBonnie Greer book

The black American playwright, cultural commentator and journalist Bonnie Greer grew up in Chicago’s poor south side at a time when one’s skin colour defined one’s identity — and for many people, one’s role in life. But it clear from her 400-page memoir of the first 30 years of her life, A Parallel Life (Arcadia Books, £14.99) that her search for herself was at least as much about what sort of person she herself was as about ethnicity. The eldest of seven children of obviously loving, yet quite strict, Catholic parents, she found herself torn between their expectations and her deep desire to rebel. And to write — an occupation she took up aged nine, though it was years before she found her true voice and medium. The book finishes with her move to New York, in a car driven by two friends getting high on cocaine. And by this time she had realised that she preferred the company of gays ( especially drag queens) to  straight men, though essentially heterosexual herself. Parts of her memoir pick up on the political and cultural moods of the time, from Chicago’s Mayor Daley to the assassinations of both Kennedys, with plenty of musical and film referencing as well. The reader is given the tip-off that she will later find an anchorage in Paris and then London, though the brief pages on an early visit to Amsterdam and the UK are telescoped so much that they at times are confused and confusing. Indeed, what is so striking about Bonnie Greer’s time in the confessional — which is how the book appears — is how the style changes rapidly, from fluent, well-rounded paragraphs to staccato single sentences, or even just a few words. It has all just poured out, or so it seems, which of course gives it it’s vitality. By the end it is clear that the author is indeed no angel, but a force to be reckoned with. And one understands exactly why, as well as how, she managed to keep her back turned on the BNP’s Nick Griffin in the celebrated episode of Question Time when he was a guest as an elected MEP.

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A Joyous Funeral at the Charterhouse

Posted by jonathanfryer on Monday, 28th July, 2014

Peter Day CharterhousePeter Day 1My old friend, the publisher and editor Peter Day, left very precise instructions for his funeral, which took place at lunchtime today at the Charterhouse in the City (where he spent the last 14 years of his life). There was to be absolutely NO EULOGY, and he guaranteed laughter throughout the chapel by wry comments left in his undated set of instructions about who might or might not be around to see him off. The place was packed, which was a tribute to the vast, and not always inter-locking, range of friends that he had. Very few from English or International PEN, I was sad to note, but plenty from the worlds of publishing and literacy agencies, including a gaggle from Allison & Busby, for whom he edited the first paperback edition of my André & Oscar. His great friend Julian Wilson — much talked of, but never met, so far as I and many others of the old PEN circle were concerned — was there with his extended family. And so too were others who have contributed to the ongoing tribute website http://www.peterdaymemorial.com (to which I added a short piece the other day, transferred from this blog). The service was admirably short, but ending with a particularly poignant organ recital of Bach’s Fantasia in C Minor (BWV562), as Peter’s mortal remains were carried off to Golders Green crematorium. There was a suitably generous reception afterwards — Peter would never have wanted his friends to go hungry, or much less thirsty — enabling all of us to catch up on old friends and make new ones, while paying nodding respect to Old Father Time.

Link: http://www.thecharterhouse.org

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Peaches for Monsieur le Curé

Posted by jonathanfryer on Friday, 25th July, 2014

Peaches for Monsieur le CuréJoanne HarrisJoanne Harris’s novel Chocolat was a huge success in many countries and languages, as well as being the basis for an Oscar-nominated film of the same name, starring Juliette Binoche and Johnny Depp. So the south-western French village of Lansquenet and its cast of characters, from the crusty priest, Francis Reynaud, to the vivacious founder of the chocolate shop and part-time white witch, Vianne Rocher, are familiar to millions of people round the world. In this sequel, Peaches for Monsieur le Curé, Joanne Harris fast-forwards eight years, bringing Vianne and her two daughters back to Lansquenet from Paris, where they had settled, following a summons by letter from an old lady, Armande, now deceased, who wrote that the village needs Vianne’s help. But for whom? It will be a while before either Vianne or the reader realises, while in the meantime it becomes clear that the community’s calm has been disturbed, by a declared war — but a war between whom? The reader’s initial assumption is that it must be between the traditional Catholic French on one side of the river and the Moroccans who have moved in over the other side of the bridge. But nothing in Joanne Harris’s imaginative world is ever that simple, and layer after layer of complexity is uncovered like the dismemberment of a mille feuilles. Moreover, the idyllic surface impression of the village is only a veil behind which lurk conflicting emotions and a whole series of human sins, real or intended: hate, envy, jealousy, rape, murder, suicide and more. August heat shimmers but also gives rise to contrary winds by which individuals and families get buffeted. In contrast to the Lenten period of Chocolat (which is why the priest was scandalised by the opening of Vianne’s chocolate shop, with its sensuous temptations) in the new novel the period in which the action takes place is Ramadan. As ever, food plays an important role in the narrative, from the iftar dinners of the Muslim community to the peaches that Vianne gathers fom a tree in Armande’s garden and distributes to key characters in the plot. A review can only skate over the surface of the plot of a novel as rich in twists and turns as this. But settle down for as many hours or days it takes you to absorb 450 pages and be prepared for surprises, both black and white, and immense pleasure.

Link: http://www.joanne-harris.co.uk

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What Writers Really Earn

Posted by jonathanfryer on Saturday, 19th July, 2014

ALCS brochureThe wealth generated by the UK’s creative industries is on the up; according to the government’s Department for Cuoluture, Media and Sport they are now worth £71.4 billion a year. Yet writers are seeing their incomes falling, to the extent that far fewer are able to make a living from their output. For some that has meant living at below the poverty line, or depending on a partner or other family members for support. For others, the only survival mechanism has been to have some other job as well as writing. According to figures released this summer by the Authors’ Liensing and Collecting Society (ALCS), in 2005 40% of authors earned their income solely from writing, but by 2013 this had dropped to only 11.5%. “If unchecked, this rapid decline in the number of full’time writers could have serious implications for the breadth and quality of content that drives the economic success  of our creative industries in the UK,” the ALCS warns in a pamhlet launched recently at the House of Commons. Research carried out for ALCS by Queen Mary University, London,  discovered that the typical income of writers has dropped by 29% in real terms since 2005, that median income now being about £11,000 per annum. It’s worth remembering that according to the Joseph Rowntree Foundation single people in the UK need to earn at least £16,850 before tax to achieve a Minimum Income Standard. The one bright spot in an otherwise depressing picture is that digital use earnings are rising, but one of the reasons I stood (successfully) for the ALCS Board in January was because the digitalisation of content has given rise to new challenges to ensuring that authors do get some appropriate payment for their work. As the ALCS pamphlet says, “For writers to continue making their irreplaceable contribution to the UK economy, they need to receive fair remunertion for their work. This means ensuring clear, fair contracts with equitable terms and a copyright regime that supports creators and their ability to earn a living from their creations.”

Link: http://www.alcs.co.uk

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Remembering Peter Day

Posted by jonathanfryer on Friday, 18th July, 2014

Peter DayThe publisher, editor and longtime English PEN activist Peter Day, who has died, could on occasions be extremely sharp-tongued, but at heart he was a man of immense human kindness. He particularly sprang into action whenever any of his friends was ill. When our mutual friend, the late novelist Francis King, was in deteriorating health, Peter virtually moved in to look after him. I first met Peter through English PEN, when we were both serving on that writers’ body’s executive committee, he ex officio as the editor of International PEN’s newsletter. Later, he would edit the first paperback edition of my book on the relationship between Oscar Wilde and André Gide, André & Oscar; he was a joy to work with, meticulous but also deeply supportive  and it helped that several of our working sessions were conducted over lunch at his flat up in the tower of a gothic block of flats in Shepherd’s Bush. He loved to entertain, but was an eccentric host, especially at his dinner parties at the table in his kitchen. He insisted on washing up between each course, which was distinctly disconcerting, and in order to make sure that people didn’t stay too long, Peter had his lights on automatic timers so that after 10pm they used to go off, one by one. Only the most thick-skinned guest failed to get the message. In his latter years, Peter moved into Charterhouse, the residential accommodation for distressed gentlefolk. The rule there was that everyone had a set place allocated at the communal dining tables, so one’s neighbours at meal times were always the same until one died, yet to my surprise Peter adapted to this somewhat monastic lifestyle with remarkable good faith.

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Alan Duncan, Free to Speak

Posted by jonathanfryer on Tuesday, 15th July, 2014

Alan DuncanArab Spring EgyptWhen Lord Lothian invited International Development Minister Alan Duncan to address the Global Strategy Forum at the National Liberal Club today on the Arab Spring three years on, he can have had no inkling that Mr Duncan would be ministerially defenestrated the previous night. But in a way that was an advantage as the speaker was therefore bound by no government conventions and limitations and was able to give a wide-ranging yet penetrating overview of recent events in the Middle East and North Africa (MENA). I liked his concept of “3D” British foreign policy, i.e. diplomacy, development and defence working in conjunction, and he has clearly put his experience in the oil industry to good use while in office, though he was pretty pessimistic about developments in Libya, in particular. I queried him on Egypt, as he’d said the West was maybe too quick to welcome the ousting of Hosni Mubarak; surely, I said, the West has been too quick to welcome the arrival of Field Marshal Sisi, given the appalling current record of torture and imprisonment, which has even affected journalists working for international media outlets, such as my former BBC colleague, and now Al Jazeera journalist, Peter Greste? Where Alan Duncan and I were much more aligned was when he spoke of the need to approach the Arab-Israeli conflict from a position of principle — in other words recognising the compound injustice (and indeed humiliation) perpetrated against the Palestinians by successive governments of Israel. It would have been good to press him further on his hints at possible consequences of the tensions between different Gulf Cooperation Council (GCC) member states, but maybe now he is more of a free agent it will be possible to winkle more out of him in such important debates.

Link: http://www.globalstrategyforum.org/

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Ten Months to Differentiate

Posted by jonathanfryer on Sunday, 13th July, 2014

Clegg CameronI am one of those Liberal Democrats who firmly believes it was the right thing for the party to go into Coalition with the Conservatives in 2010, despite being distinctly centre-left personally. Besides, the LibDem special conference in Birmingham overwhelmingly endorsed the move. The Rose Garden political bromance was a bit too cordial, maybe, but it was an historic occasion that truly broke the mould, unlike the formation of the Liberal-SDP Alliance, which also aspired to do so. But the LibDems have suffered as the junior partner, as our continental Liberal colleagues warned us we would. On the up-side, we now have a whole raft of LibDem MPs with ministerial experience, and there have been some real wins for LibDem policies, alongside the better publicised policy losses. And we need to shout about those wins, in Focus, on social media, on political platforms and on the doorstep. We may be tired of saying “raised tax threshold, pupil premium, triple lock pensions” and so on, but the messages have still not got through to the average voter. At the same time, with the general election only 10 months ago, differentiation now has to be central to our strategy. You can be sure that Tory MPs will be doing it from the other side of the Coalition. All our LibDem politicians need to articulate clearly and simply what the Liberal Democrats stand for, again and again and again between now and next May. Only then will there be a chance that we can regain the trust of those who are by nature LibDem supporters but who have drifted towards other parties over the past four years. We have obvious differences from the Conservatives on a whole range of issues, from the EU to international relations, the environment to civil liberties. We mustn’t allow the experience of Coalition to make us toxic in the public’s eye. We have principles and policies that we can be proud of. So let’s stand up and proclaim them, and not be put off by any squeals of protest from Tory right-wingers, who hate the Coalition anyway.

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Virginia Woolf at the NPG

Posted by jonathanfryer on Wednesday, 9th July, 2014

Virgina Woolf exhibition NPGVirginia Woolf at GarsingtonWhen I was doing English Lit A level, many moons ago, one of my classmates had a great passion for the writings of Virginia Woolf. She was not on the curriculum, and our English Master openly mocked this boy’s predilection, preferring instead the richness of Shakespeare, the subtlety of Jane Austen and the almost masochistically intensity of Gerald Manley Hopkins. Michael Holroyd’s seminal biography of Lytton Strachey was published that very year of 1967, yet it was only when I went to university that I got round to reading that and then dived into the world of the Bloomsbury Group like a young penguin that has just learned to swim. Once installed in Brussels, working for Reuters — and therefore at last in a financial position to buy lots of books — I savoured Virginia Woolf’s novels and all the volumes of diaries and letters and the wide range of related biographies as they came out. It was the first collective love affair of my life. So it was with a certain amount of trepidation that this morning I went to the Press View of the new Virginia Woolf exhibition at London’s National Portrait Gallery. All fans, like my school-friend, his name now long forgotten, to an extent feel they possess their idol and so it was too with me and Virginia nWoolf. Even her feminism stirred me. I was reassured in advance of the exhibition to know that it was curated by my old friend and former colleague at English PEN, the art historian and biographer, Frances Spalding, who indeed gave a brilliant unscripted tour of the exhibition to the thronging hacks at this morning’s Press View. Of course, I needn’t have worried. This is the first exhibition of its kind, amazingly, focused on the central figure of Virginia Woolf, but through photographs, paintings, letters and ephemera following her sensitively through the various phases of her life and her growing struggle with depression. Having lost so many dear friends in the First World War, she was metaphorically pummeled to the ground by the Second, with the complete destruction of one of her London homes, and the horror of more human losses. Inevitably her end is seen as tragic, with her suicide by drowning in 1941, her husband Leonard no longer able to haul her up from the depths of despair. But mercifully, she had retrieved her diaries from a bomb-damaged house and these were later stored in a bank vault by Leonard. Their later publication told us so much about the author, her life and loves (of both sexes), but also so much about England in an era now gone and of her passion for London. All this and more comes out so clearly in the exhibition, which should not be missed. And highlighted on one wall is a quote that remains in my mind above all else that she wrote: “Thinking is my fighting”.

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